I have spent the past couple of weeks going back over my notes and photographs from Cersaie, and wading through reams and reams of press material and PR photography to discover the hidden gems among a plethora of – admittedly wonderful – white marbles, distressed woods, cement-effects, encaustic stylings, et al.   This essential but highly time-consuming R&D will form the basis of my Cersaie reports for Tile & Stone Journal in the UK, Tile Today in Australia, and Diary of a Tile Addict itself in the coming months.